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Jean Baptiste Camille Corot
La Rochelle (mk11)
entree du port-1851 Collection privee
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Jean Baptiste Camille Corot
La Rochelle (mk11)
avant-port-1851 Copenhague,Ny Carlsberg Glyptotek
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Jean Baptiste Camille Corot
Une matinee (mk11)
la danse des nymphes-ners 1850 Paris,Musee du Louvre
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Jean Baptiste Camille Corot
Vue de Saint-Lo (mk11)
vers 1850/1855 Paris Musee du Louvre
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Jean Baptiste Camille Corot
Idylle antique (Cache-cache) (mk11)
1859 Lille,Musee des Beaux-Arts
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Jean Baptiste Camille Corot
La toilette (mk11)
1859 Paris,collection privee
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Jean Baptiste Camille Corot
Souvenir de Mortefontaine (mk11)
1864 Paris,Musee du Louvre
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Jean Baptiste Camille Corot
Mantes (mk11)
le soir-sers 1860/1865 Reims,Musee des Beaux-Arts
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Jean Baptiste Camille Corot
L'eglise de Marissel (mk11)
pres Beauvais -1866 Paris,Musee du Louvre
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Jean Baptiste Camille Corot
La superieure du couvent des Annonciades de Boulogne-sur-Mcr Vers (mk11)
1850 /1855 Paris,Musee du Louvre
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Jean Baptiste Camille Corot
La cathedrale de Mantes (mk11)
1865/1869 Reims,Musee des Beaux-Arts
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Jean Baptiste Camille Corot
Le coup de vent (mk11)
1865/1870 Reims,Musee des Beaux-Arts
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Jean Baptiste Camille Corot
Le vallon (mk11)
vers 1855/1860 Paris,Musee du Louvre
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Jean Baptiste Camille Corot
Bacchante couchee au bord de la mer (mk11)
1865 New York,The Metropolitan Museum of Art
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Jean Baptiste Camille Corot
La melancolie (mk11)
1850/1860
Copenhagoue,Ny Carlsberg Glyptotek
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Jean Baptiste Camille Corot
Liseuse dans la campagne (mk11)
1870 New York,The Metroplolitan Museum of Art
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Jean Baptiste Camille Corot
La liseuse (mk11)
vers 1845/1850 Fondation Collection E.G buhrle
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Jean Baptiste Camille Corot
La femme a la perle (mk11)
1868/1870 Paris,Musee du Louvre
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Jean Baptiste Camille Corot
Agostina (mk11)
1866 Washington National Gallery of Art
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Jean Baptiste Camille Corot
Jeune fille a sa toilette (mk11)
1860/1865 Paris,Musee du Louvre
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| Jean Baptiste Camille Corot
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1796-1875
Corot Locations
French painter, draughtsman and printmaker.
After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
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